Community building in the educational profession is important for teachers, students, administration, staff, parents and the whole community. This month, I have enjoyed reflecting about how I try to build community in my classroom with my students. In the future months, the topic of community will certainly be further explored.
What I have discovered and rediscovered is that the biggest part of building community is in creating experiences with your students. When I stop and take time and really DO something with my class, the benefits are nearly immediate. We smile together, laugh together, realize things together but mostly we share – share a common experience with one another. It’s a beautiful thing…
Just yesterday, I was able to share a great experience with my class as we continued to write our Erosion Blues. There I was playing the piano as groups of students came by and started singing the lyrics they had written. As I looked up, I saw the rest of my class singing along, tapping their feet, moving and dancing - PURE JOY! Wow! That will be a memory for all of us.
I know a second grade teacher who is not afraid to bring her students outside during the school day. No worries about not sticking closely to the plan for the day, because she knows how much her students will get out of an outside experience. This is not a teacher who one would call aloof, her feet are firmly set and she is very serious about education. The thing is that she is certain that her students will benefit from a common experience and from that experience she shapes ways for her students to learn. They learn about nature and about the value of getting inspired by something. Oftentimes their experiences are what prompt them to write - to really write from the heart and gut.
When we have a true experience, then we can really learn more about ourselves and others. And that’s one thing that can really help build community!
Showing posts with label experiences. Show all posts
Showing posts with label experiences. Show all posts
Friday, March 26, 2010
Friday, March 19, 2010
Reflections on Beat Night – Poetic Experiences
This past Thursday a group of teachers took their third field trip organized by The Inspired Classroom. We attended Beat Night at the Press Room in Portsmouth, NH. What fun! It was a great night of relaxin', groovin' and inspirin'.
The evening began with an hour of featured poets reciting their original poems. There they stood, poets of all ages and backgrounds sharing their experiences with us - unhinged, unrated, truthful and full of life. They spoke of love and pain, emotion and faith. And all this was recited to the backdrop of live, improvisational music. The poets asked for a certain feel and the musicians started to play, laying out the landscape on which the lyrics of the poems rested.
The second hour was open mic and those who felt it, signed up to recite a poem with or without the band. I, knowing I would regret it if I didn’t, decided to put my name down before I lost my nerve. Ayanna Gallant, the hostess of the night (and guest blogger on TIC) introduced the readers one by one and they got up to read.
One poet was a former student of mine who gave an emotional poem about a tragic childhood experience. And in the end of the poem we heard her be at peace. It was beautiful and poetic, it sucked me in to her experience and emotional past. Tears welled up in my eyes as I thought how poetry must have been a healing agent for her and how fortunate for me to have been able to witness this beautiful young lady share this part of her with all of us.
A couple of poets later, it was my turn. Once introduced, I got up to the mic, asking the band leader, Larry Simon to play something rhythmic and sultry with lots of drums. He instructed the rest of the band and the music started to play…
It was like magic how my words melted together with the music. We complimented each other with each nuance of melody and lyric. The words poured out my mouth like satin and I was entranced in the moment created by the sounds all around me.
It was a great experience and I’m glad it was captured on video, or at least you can hear the audio.
Later, as I listened to the performance and remembered the experience, it got me thinking.
Why don’t we do things like this more often? Be creative, share our experiences and build community through these art forms in true, raw, and meaningful ways? For me, reading my poem was pure enjoyment, a thrill, but for others it can be a way to get a message out, to tell a story or act as therapy for their soul.
Why don't we ask students to do this more - write from their experiences, from the gut!?
Another teacher near us had some of his high school students there. Two were being featured that night. HE allows for this in his classroom. He inspires his students to write gutsy poetry that means something real for them in their lives.
We need to do more of this for our children and for ourselves. I am thankful for these field trips. They have helped me to stay inspired in my own teaching so that I can inspire my students!
Next month is jazz and poetry month. What a great excuse to use to try out some poetry writing with my students.
The evening began with an hour of featured poets reciting their original poems. There they stood, poets of all ages and backgrounds sharing their experiences with us - unhinged, unrated, truthful and full of life. They spoke of love and pain, emotion and faith. And all this was recited to the backdrop of live, improvisational music. The poets asked for a certain feel and the musicians started to play, laying out the landscape on which the lyrics of the poems rested.
The second hour was open mic and those who felt it, signed up to recite a poem with or without the band. I, knowing I would regret it if I didn’t, decided to put my name down before I lost my nerve. Ayanna Gallant, the hostess of the night (and guest blogger on TIC) introduced the readers one by one and they got up to read.
One poet was a former student of mine who gave an emotional poem about a tragic childhood experience. And in the end of the poem we heard her be at peace. It was beautiful and poetic, it sucked me in to her experience and emotional past. Tears welled up in my eyes as I thought how poetry must have been a healing agent for her and how fortunate for me to have been able to witness this beautiful young lady share this part of her with all of us.
A couple of poets later, it was my turn. Once introduced, I got up to the mic, asking the band leader, Larry Simon to play something rhythmic and sultry with lots of drums. He instructed the rest of the band and the music started to play…
It was like magic how my words melted together with the music. We complimented each other with each nuance of melody and lyric. The words poured out my mouth like satin and I was entranced in the moment created by the sounds all around me.
It was a great experience and I’m glad it was captured on video, or at least you can hear the audio.
Later, as I listened to the performance and remembered the experience, it got me thinking.
Why don’t we do things like this more often? Be creative, share our experiences and build community through these art forms in true, raw, and meaningful ways? For me, reading my poem was pure enjoyment, a thrill, but for others it can be a way to get a message out, to tell a story or act as therapy for their soul.
Why don't we ask students to do this more - write from their experiences, from the gut!?
Another teacher near us had some of his high school students there. Two were being featured that night. HE allows for this in his classroom. He inspires his students to write gutsy poetry that means something real for them in their lives.
We need to do more of this for our children and for ourselves. I am thankful for these field trips. They have helped me to stay inspired in my own teaching so that I can inspire my students!
Next month is jazz and poetry month. What a great excuse to use to try out some poetry writing with my students.
Tuesday, March 16, 2010
Musical Experiences – Composing in the Classroom
In the spirit of Music in Our Schools month, I would like to reflect some more on how music can build community, this time through composition. With MCAS (Massachusetts’s high stakes test) next week, I think it is necessary to give my students a balance of testing with play. We WILL go outside and run around more than usual, but I also have something fun, creative and collaborative planned – composing some blues!
Well, yes, I could ask them to write the “testing blues”, but that would be the wrong way to focus their energy! Instead, we will write the Erosion Blues as a culminating activity to our unit on Land and Water.
COLLABORATION – My fourth graders will already have a basic understanding of the blues from what they learn in their music class. They learn and play the 12 bar blues. In fact when I wrote this form on the board yesterday, they clearly remembered it and were ready for a refresher. This kind of integrated project is one that I always strive to implement – one that is true to the integrity of the art form and to the curriculum I am teaching. It also provides a time for real collaboration between myself and the music teacher. She has given them a basis of knowledge in the structure of the blues and I’m going to bring other content to the table. Together, the students will synthesize two important areas of study.
CREATIVITY WITHIN A STRUCTURE – The blues has a relatively easy form for writing lyrics: AAB. For each verse there are three lines of lyrics. The first line is (A), then (A) repeats itself, and the last line is different (B). Once students know this basic form, they can really get creative. I will assign a group of students a specific topic in erosion (water erosion, ice erosion, wind erosion, other vocab terms to use) and let them compose.
COMMUNITY – This type of project, where students create together will surely add to the sense of community. With each verse, students will be collaborating as they show what they know about erosion. The part I am looking forward to is hearing how it will all come out in the end. Each group will perform their verse, creating one unified song through the structure of the blues. And for some added greatness, some students will be able to play the 12 bar blues on Orff instruments from the music room.
This musical experience of composing a piece of music is something I’ve been looking forward to doing with my students. (This year I have a particularly musical class.) It is my hope that I’ll be able to post a performance online. More to come!
Well, yes, I could ask them to write the “testing blues”, but that would be the wrong way to focus their energy! Instead, we will write the Erosion Blues as a culminating activity to our unit on Land and Water.
COLLABORATION – My fourth graders will already have a basic understanding of the blues from what they learn in their music class. They learn and play the 12 bar blues. In fact when I wrote this form on the board yesterday, they clearly remembered it and were ready for a refresher. This kind of integrated project is one that I always strive to implement – one that is true to the integrity of the art form and to the curriculum I am teaching. It also provides a time for real collaboration between myself and the music teacher. She has given them a basis of knowledge in the structure of the blues and I’m going to bring other content to the table. Together, the students will synthesize two important areas of study.
CREATIVITY WITHIN A STRUCTURE – The blues has a relatively easy form for writing lyrics: AAB. For each verse there are three lines of lyrics. The first line is (A), then (A) repeats itself, and the last line is different (B). Once students know this basic form, they can really get creative. I will assign a group of students a specific topic in erosion (water erosion, ice erosion, wind erosion, other vocab terms to use) and let them compose.
COMMUNITY – This type of project, where students create together will surely add to the sense of community. With each verse, students will be collaborating as they show what they know about erosion. The part I am looking forward to is hearing how it will all come out in the end. Each group will perform their verse, creating one unified song through the structure of the blues. And for some added greatness, some students will be able to play the 12 bar blues on Orff instruments from the music room.
This musical experience of composing a piece of music is something I’ve been looking forward to doing with my students. (This year I have a particularly musical class.) It is my hope that I’ll be able to post a performance online. More to come!
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